The Woman Warrior: Memoirs of a Girlhood Among Ghosts Library Binding – April 1, by. Maxine Hong Kingston (Author) › Visit Amazon's Maxine Hong Kingston Page. Find all the books, read about the author, and more. See search results for this author/5(). The Woman Warrior. The Woman Warrior focuses on the stories of five women—Kingston's long-dead aunt, "No-Name Woman"; a mythical female warrior, Fa Mu Lan; Kingston's mother, Brave Orchid; Kingston's aunt, Moon Orchid; and finally Kingston herself—told in five chapters. The chapters integrate Kingston's lived experience with a series of talk-stories—spoken stories that combine Chinese history, Cited by: Kingston imagines herself as Fa Mu Lan, the warrior woman, to defy her mother’s prediction that she would grow up to be “a wife and a slave.” In her fantasy, she is living in a hut on the top of a mountain. An old man and an old woman enter with “bowls of rice and soup and a leafy branch of peaches.” They ask her to remain with them for fifteen years so that they can train her to become a warrior through .
The Woman Warrior Summary. 1. No Name Woman. Kingston recounts the story of her dead aunt who, due to the shame that she caused her family by giving birth out of wedlock, is never mentioned by her given name; thus, she is known as No Name Woman. Brave Orchid, Kingston's mother, has given her daughter some details about her aunt's life: she. The Woman Warrior: Memoirs of a Girlhood Among Ghosts is a memoir by Maxine Hong Kingston, published by Vintage Books in Although there are many scholarly debates surrounding the official genre classification of the book, it can best be described as a work of creative non-fiction. Jenessa Job. Download this article. In , Maxine Hong Kingston published her critically acclaimed autobiography, The Woman Warrior: Memoirs of a Girlhood Among Ghosts, which describes her experiences and struggles while growing up as a Chinese-American girl in www.doorway.ru actual genre of The Woman Warrior, however, has been widely disputed among critics.
The Woman Warrior, by Maxine Hong Kingston: A Bridging of Autobiography and Fiction Deborah Homsher reading The Woman Warrior, one gets an immediate impression that its writer has worked hard to form the book. Her memories of a Chinese American girlhood in California are spliced with myths and anecdotes told by her imposing and thoroughly Chinese mother. Maxine Hong Kingston’s The Woman Warrior: Memoirs of a Girlhood Among the Ghosts () weaves together elements from traditional Chinese folktales and incidents from the author’s experiences or family stories in five interconnected chapters. These chapters follow the lives of several women while they lived in China and/or after immigration. Kingston imagines herself as Fa Mu Lan, the warrior woman, to defy her mother’s prediction that she would grow up to be “a wife and a slave.” In her fantasy, she is living in a hut on the top of a mountain. An old man and an old woman enter with “bowls of rice and soup and a leafy branch of peaches.” They ask her to remain with them for fifteen years so that they can train her to become a warrior through “exercises that began at dawn and end at sunset.”.
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